qais assali
Info
Work
Die magischen Hände: How to make apolitical, non-political or un-political work?
“I Only Read About Myself on Bathroom Walls”: glossary of dehumanization
Busy Doing My Taxes: Archiving an Unseen Genocide Through a Timeline of Occupation
Birthday Extremism: The Gap Between My Mother & “Israel” 1945-1948
Parades
And did those feet in ancient time — Jerusalem hymn
I Yawn Because You Yawn: Intercorporeal Art as Political Witnessing
Repositories of Memory
Odd billboard on Post and 52
Branding Conflict
'The work is too didactic'
if you Like you can show my works in galleries
Monument to Santa Anna's Leg
Blood On The Ground
The Water-Carrier Died
Declaration of Conformity
Memoir
It's Not About the House
Bacteriomancy
Costume Party at the Moslem Temple
Teach Me to Play 1948
Miss New Mexico
Silent Lecture
Oslo Zones
Visit New Palestine 360°
Non-Geographic, Non-Political Dialogue
Ahl Al Medinah, Shurafa’ Al Ayn
'Lecture on the Museum of New Palestine, Indiana'
On Collaboration & Solidarity
Doubling Displacement
Structuring Surrealist Photography
'this project is about afghanistan'
The Four Non-Western Aliens
Where The West Begins
Postcards
Philistines
We Want to See The Dead Sea
Salma
Female Wanted
On the Margin of Jerusalem
The Kingdom
The Emirati Anthem
Homage to On Kawara and Joseph Kosuth
Yen'an Abouy
Using Format