qais assali
Info
Work
Die magischen Hände: How to make apolitical, non-political or un-political work?
“I Only Read About Myself on Bathroom Walls”: glossary of dehumanization
Parades
Birthday Extremism: The Gap Between My Mother & “Israel” 1945-1948
I Yawn Because You Yawn: Intercorporeal Art as Political Witnessing
Busy Doing My Taxes: Archiving an Unseen Genocide Through a Timeline of Occupation
Repositories of Memory
Branding Conflict
Declaration of Conformity
And did those feet in ancient time — Jerusalem hymn
Blood On The Ground
Monument to Santa Anna's Leg
It's Not About the House
'The work is too didactic'
The Water-Carrier Died
Bacteriomancy
Odd billboard on Post and 52
Costume Party at the Moslem Temple
if you Like you can show my works in galleries
Teach Me to Play 1948
Miss New Mexico
Silent Lecture
Oslo Zones
Memoir
Visit New Palestine 360°
Non-Geographic, Non-Political Dialogue
Ahl Al Medinah, Shurafa’ Al Ayn
'Lecture on the Museum of New Palestine, Indiana'
On Collaboration & Solidarity
Doubling Displacement
Structuring Surrealist Photography
'this project is about afghanistan'
The Four Non-Western Aliens
Where The West Begins
The Kingdom
The Emirati Anthem
Philistines
Salma
We Want to See The Dead Sea
On the Margin of Jerusalem
Postcards
Female Wanted
Homage to On Kawara and Joseph Kosuth
Yen'an Abouy
BRANDING CONFLICT
BRAND
VOICE
, BRAND
CURATION
, BRANDING
COURSE
AND
GUIDELINE
