qais assali
info
work
“I Only Read About Myself on Bathroom Walls”: glossary of dehumanization
Branding Conflict
Repositories of Memory
Parades
Monument to Santa Anna’s Leg in Boston
Die magischen Hände: How to make apolitical, non-political or un-political work?
'The work is too didactic'
Container
Future Maqlub
Birthday Extremism: The Gap Between My Mother & “Israel” 1945-1948
BUSY DOING MY TAXES: Archiving an Unseen Genocide Through a Timeline of Occupation
And did those feet in ancient time — Jerusalem hymn
I Yawn Because You Yawn: Intercorporeal Art as Political Witnessing
Declaration of Conformity
Odd billboard on Post and 52
if you Like you can show my works in galleries
Blood On The Ground
The Water-Carrier Died
Memoir
It's Not About the House
Bacteriomancy
Costume Party at the Moslem Temple
Miss New Mexico
Silent Lecture
Oslo Zones
Visit New Palestine 360°
Non-Geographic, Non-Political Dialogue
أهل المدينة، شرفاء العين The People of Medinah, Sheriffs of the Gaze
'Lecture on the Museum of New Palestine, Indiana'
On Collaboration & Solidarity
Doubling Displacement
Structuring Surrealist Photography
'this project is about afghanistan'
Where The West Begins
Monument to Santa Anna's Leg in Palestine
Postcards
Philistines
We Want to See The Dead Sea
Salma
Female Wanted
On the Margin of Jerusalem
The Kingdom
The Emirati Anthem
Homage to On Kawara and Joseph Kosuth
Yen'an Abouy
talks
Forensic photography inspecting blood on ground.
Chattanooga, TN — October 7th, 2023
Using Format
